Game Review: Sleaford Mods' Jason Williamson Takes On Character in Sceptical Examination at Ecstasy Generation Era

Helmed by Bristol sound co-founder the musician-producer, this sharp-edged though undernourished first film turns a sceptical eye on 90s rave culture. Venal drug user David (Marc Bessant) initially steals from an passed-out supplier, then in another flashback tries to burgle his own parents. Before you can say, he's overturned in the remains of his car in a forest โ€“ and subject to the wrathful eye of the Poacher (Sleaford Mods frontman Jason Williamson). Refusing to extricate David, with no time for city dwellers, he is broken Britain embodied: โ€œYouโ€™re one of those loud individuals from up on the heath.โ€

Unsteady Opening and Darkly Funny Duel

The film begins uncertainly, lingering excessively on pedantically chronicling Davidโ€™s attempt to free himself from his safety harness, while awkwardly transitioning into flashbacks of his normal activities. The central theme โ€“ that the ecstasy generation were primarily out for number one โ€“ is firmly made. But these vignettes are insufficiently developed to properly prime us for what to expect when the Poacher turns up, enraged after David kills his dog. Nevertheless, a darkly funny standoff takes hold โ€“ David eager to get away; the Woodsman denying his container of cider, determined to dousing him instead in embittered discourse. Williamson, exuding heavy threat in the role, is reminiscent of Michael Smiley.

Stylish Imagery and Music Video Sensibility

There is only one key story turn, but it leads to a hilariously staged rampage on the forest trails that veers toward rural terror. Director John Minton finally gets to go all in with his showy imagery: where he was hunkered down doing artful shots of bugs in headlights in the early stages, he now goes all out with the full lysergic grand display, accompanied by a frenzied keyboard rendition of Ravelโ€™s Bolรฉro. The movie resembles an elongated music video than a complete narrative, but thereโ€™s enough bold visuals to suggest that Minton could emulate Jonathan Glazer, Garth Jennings et al into making the leap from the UK video industry.

Game is in British and Irish cinemas from November 17.

Jonathan Gonzalez
Jonathan Gonzalez

A seasoned sports journalist with over a decade of experience, specializing in Middle Eastern sports and global events.